Clearing the Fog

I hung a new triptych of sky paintings over our mantle this week. (Actually Steve hung them. I directed.) I have been working on this 40 x 52 project since Christmas. The January weather, with its cold and clouds, had covered me in a literal fog… and brain fog. I didn’t feel motivated or clear about a new direction. So I pulled out my sky photos and decided to use the canvases nearby and just paint for days, off and on, throughout the long month of January. There were a few other paintings going on at the same time, but just things to check off the to-do list. Nothing I felt passionate about painting.

Here are close-up views of some passages of this painting – I paint clouds with Ultramarine Blue, Cadmium Red, Cadmium Yellow Light and Titanium White. There is some Cerulean Blue in the background sky.

It was appropriate that we hung the triptych on Saturday, the 27th of January, because it was the FIRST day of sunshine we had seen in at least seven days! Socked in for a week with steady rain, mud puddles, cold temps, (and I was recovering from a root canal on top of that!)…I was debating whether or not I suffered from Seasonal Affective Disorder (it’s a thing) …SADness for sure!

And then… the rain passed on to our friends in the East, the clouds were blown away, the sun came out to dry the mud, and our cows were happy. My spirits were lifted, like the edges of the clouds that drift upward in lacy tendrils. Hope in spring returned to us!

Once again, my painting was therapeutic for myself. I didn’t know the impact, until I saw it on my wall on that sunny Sunday! It had filled days in the studio, as I listened to music, thought about life..and eternity. And, it had soothed my soul to mix paint and pull it around on canvas.

No one likes to listen to a complainer. So, I will move on into spring. Even though we still have to winter the month of February, the clouds hang above our fireplace to remind me that the fog will lift, spirits can soar, and light comes to us, again.

Protection and Provision

After a long, hot Texas Summer of no rain, we (as in the collective, whole county “we”) were thrilled to see the storm clouds of September rolling in. The dark clouds and hailstorms came, but we all were glad to see the parched earth become covered in green again.

Protection
12×24 oil

The water in the tanks, ponds, lakes and streams began to rise and the cattle did not have quite as far to stretch into the mud to obtain a drink. Now in November, Lake Waco is able, after a few years, to supply water to all the households which depend on it.

Provision
12×24 oil

The photo references for these paintings were taken on a walk through our property. Both images were striking enough to make me want to paint them. And as I painted, the titles, Protection and Provision, came to my thoughts

How many times have I used those words, as I prayed for my own or another’s needs? “Lord, grant us Protection and Provision in these days.” Two “P” words that sound poetic, but are packed with power and meaning.

I hope the images speak. The titles speak. But my words will also speak of the Protection of an Almighty God. I see this in a variety of circumstances, in amazing miracles that have happened, and in retrospective realizations as I live through these years. I live in gratitude for the Provision of daily needs, as I continue to trust God. Just when we think the water is as low as it can go, the rains come. We are restored and ready to move ahead.

From the Ground Up!

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From the Ground Up
18×24

“From the Ground Up” implies beginning on ground level, 

                                                      where the only direction to go is up.

If you have been following my paintings, you will remember I have been painting big Texas skies for a few years. I decided to switch perspective and paint “from the ground up.”

One reason for the theme, From the Ground Up, is an effort to tie Carvings and Canvases together for the next big show.  Sculptor Kevin Rackley and I did not know each other before it was suggested that our works might pair together in a duo show.  What did we have in common?  Artworks, inspired by this beautiful earth on which we live, and a mutual appreciation for the Creator and all that is created From the Ground Up!”

I’m sure we all have had times when we began a new venture and literally did it “from the ground up.” It can be daunting, and also exciting!

Almost five years ago, my husband and I sold or gave away many of our possessions and loaded a Penske truck to move from Georgia to Texas, in order to be with our Texan son’s family.  We bought/built/renovated a home, learned to landscape in the Blackland Prairie, traded our little Prius for an SUV that could handle dirt roads better, made new friends in a new environment, managed to maneuver the road constructions of Waco, constructed an art studio and workshop, and became acquainted with this place we now call “home.” All, from the ground up!

I wondered what this move would mean as I was just getting a good start in Georgia with a second act career of being a full-time artist, after retiring from teaching. I wanted to keep painting, but would need to start afresh with clients and prove my abilities “from the ground up.”  

The collection of work in this upcoming show represents the first five years of my painting in Texas.  As a plein air painter, I have enjoyed exploring new places and becoming familiar with the western landscape through artist observation.  This time, the perspective shifts to the ground and the plants growing from it.  Several of these landscapes were painted from my porch (near Mart, TX). Some paintings depict the western environments, seen through recent travels through New Mexico and Arizona. The presence of cows in my paintings are influenced by animals I have made peace with on our property.  And the beautiful Texas Skies continue to lift my eyes upward to more heavenly realms. 

The show is for you to see and enjoy. But it is also for me, to put a marker on the last five years of painting: my experiences, my communication, my therapy, my artworks.

(Buy them all so I will have room to paint more!)

What’s in a Name?

How I sign my name on a painting and why I sign it this way…

Signatures in the bottom corners of paintings


My handwriting has certainly changed over the years. From the curly cued letters of childhood, through the teen phase of dotting my i with a heart, and into the mixture of capitals and cursives that quickly come from my hand today, the style has changed much.

One reason my signature has changed is that I am often signing with a paintbrush! (Go ahead, try it! It takes some practice.) For that reason, most of my early paintings are signed with a black Sharpie pen. Future generations will look at the paintings and say, “Ah, it’s from her ‘Sharpie Period’ – when she didn’t know how to sign her name with a paintbrush.”

Now, there are two variations of the signature that you might see. If my first and last name is signed, it is a large painting, most likely done in a studio. But when I am painting outside, en plein air, I am in a hurry. The 11×14 canvas or smaller lends itself to a quick “MStokes,” scratched into paint with the tip of a palette knife… if the paint is heavy enough there. When my mother named me, she was thinking more about the melodic sound of the three syllables and the sweetness of Olivia de Havilland’s character in Gone With the Wind, than how long it would take me to write it with a paintbrush!

And here is the inside story of the Story Behind the Paintings — Looking at the signatures, you might notice that the cross piece of the t in Stokes is rather accentuated. I do this purposefully. Crossing the t is the last thing I do in my signature. And when I cross the t, I try to place it higher and wider than the other letters. As I cross the t, I remind myself that I am painting for the God who loves me enough to submit to death on a cross. I am reminded that I am painting through His grace. I am reminded that I belong to Jesus. And that my name needs to reflect His name.

A good name is better than great riches,

and good favor is above silver and gold.

Proverbs 22:1

First Spring

First Spring

The new calf walks awkwardly, trying to get used to the way her legs work. And the mama cow, (we call her Red), walks along beside Little Red Pepper, casting a shadow of protection over her, as she experiences her first spring.

I enjoy watching cow behaviors! Sometimes Red walks beside, sometimes leading in front, and sometimes nudging her calf along from the back. But I can see patterns of protectiveness and guidance from the mother figure. And when she needs to graze further away, she leaves the little one in the care of the black angus that we call “Karen” (because Karen seems to be in everyone’s business).

Painted from my photo reference and experience, I enjoyed depicting this promise of spring. Red Pepper has been peppy from those first days. She is old enough now to run around the pasture, venture further from Mom, and is looking very healthy.

The warmth of spring light, the excitement of blossoms and flowers budding and blooming, and new life on the prairie always bring hope for days ahead. Walk forward in the light, little one, but come back near the herd when you need them.

New Every Morning

melaniestokesart.com
New Every Morning
24×30 oil

This view: this huge expanse of a sky, with only a few distant wind turbines breaking the horizon, is what I see each morning when I walk out on my front porch. The colors, the shapes, the atmosphere, the smells or sounds may vary from day to day. But one thing I know for sure is that the view is going to be there. It will be new to me, every morning.

And it reminds me of an Old Testament Bible verse,

“The steadfast love of the Lord never ceases; his mercies never come to an end; they are new every morning; great is your faithfulness.” Lamentations 3:22-23

Written at a time when God’s people had truly messed up, the prophet Jeremiah was lamenting all that was wrong. Yet, he doesn’t give up hope in the steadfast love of God and His faithfulness. He believed that God would not turn his back, would not grow weary of their shortcomings, would not hold back His love from them. New beginnings are welcomed by the God who provides a way for us to give up and start over. His mercies are new every morning!

And when I walk to the door, with my morning coffee, the sunrise reminds me that it is a new day, a new beginning, a new grace, an opportunity to be better than the day before, with God’s strength and through His love.

Breakthrough!

melaniestokesart.com
Breakthrough!
24×30 oil

I woke up early. It was a cold, cobalt blue kind of morning sky. I wasn’t sure if the sun was going to appear to warm the earth, or not. But when it did…WOW…the yellows and oranges spilled out, breaking through the shadows of blues, until the sky was brilliant with a breakthrough of color!

Can you remember times in your life when you had breakthroughs? For example, when someone helped explain something in Math that just seemed impossible to comprehend and then suddenly, you said, “Oh, now I get it!!” Now, that was a breakthrough. (hypothetically speaking, of course)

This painting reminds me that breakthroughs are good. Searching for truth and understanding is good. Looking for guidance with wisdom is good. Breakthroughs may change the way we look at the day ahead, as we are reminded of the Presence of God.

Is the Grass Really Greener?

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Is The Grass Really Greener on the Other Side of the Fence?
16×20 oil

Usually, when I walk along the fence line of our property, the neighbor’s cows will turn their backs and move away from me.  At first, one or two will leave, and then, the others will notice and begin a trot to move the entire group to safety in herd fashion. 

On this day, they stayed, crowded together, and stared at the lady with the phone camera pointed toward them.  

I liked the composition of their heads bunched together, the large interesting shape that they created standing in one dark mass, the “expressions” on their faces as they peered across the fence.  

I imagined they were thinking (if cows think), “Is the grass really greener on the other side of the fence?”  Is it?

Is that what we look like as we peer into the lives of others on social media?  As we turn our backs to reality on our side of the fence?  As we imagine “what ifs” and “wish I hads” until it becomes discontentment?  Maybe so. 

I snapped a few photos from which to paint, but it wasn’t long until the cows scattered and moved away. They bowed their heads toward the grass they already had and munched contently on the plenty.  

Separation Day

The Mama Cows gathered at the corral gate, wondering why the calves were being herded into the trailer, not knowing that the young ones were about to be taken away.

Separation Day, 16×20 oil

This was the scene I captured with my camera on the day that the year old calves were taken to another place. (We won’t speculate as to whether they were going to another grazing area or to market. The cows on our property belong to someone else, who leases the pasture from us.) We get attached to the cows, watch them from birth, give them names, feed them by hand (well, my husband does that.) And we are glad to have them on our acreage.

Being the novice rancher that I am, I did not expect what came next… As the truck and trailer rattled away with five calves, the cows began to bellow! And they bellowed and bellowed for about two days. They knew those babies were missing. They thought if they kept calling, they would come back. They knew they were supposed to be checking on them and keeping them safe.

As the wails went on, my “mama heart” hurt for their pain. Can cows have emotional pain? They wanted to care for their young, but the new distance was making that impossible. I thought about the times I’ve had physical and emotional distance from my own children. I thought about women who lose children through custody battles, illnesses, adoptions, and miscarriages. I thought about mothers and children and the heartaches that come with the joys. And then, I remembered… for goodness sake, we are talking about cows, here!

The stark contrast of the darks and lights drew me into the scene. The barricade of the gate seemed so final against their faces. The cows’ attention toward those leaving was a shared experience for the ones left behind. Their wails of mourning subsided after a few days. And, once again, the remaining cows became content to stroll from back to front pasture, searching for the perfect blade of grass.

The Beauty of an Old Barn


This old barn is deserted, but still standing, beside County Line Road #939, near Mart, Texas. It grabs my attention each time I travel by. With the goal of painting its stately beauty, I stopped recently for a few photos in good light.

The gambrel style shape of the rusted tin roof may be the first thing that caught my attention. It’s red patina is smooth and beautiful, against a blue sky. But, the unique advantage of being able to see light coming through a window on the back side of the barn captured my emotion. The left side of the barn is whole, complete with a closed door. When one walks to the other side, the open wall reveals the darkness of the hollowed out void inside the deserted barn. Weathered wood and weeds winding inward guard the edges. Yet, there is that small window of hope where the light of the sky enters and shines through to the front.

And somehow, I identify. We have sides of us that are protected, closed up to risks and leery of dangers. But, every now and then, someone walks around to the other side and sees our soul; bare, raw, and open, allowing light to enter and come through the hollow spaces. There is beauty in aging gracefully against the wind. And strength in allowing light to shine through.